Watching The Blob

I have a fondness for old movies.

Side note: I also have a fondness for saying “I have a fondness” for things. I feel like I’ve done this a million times in a million different posts. Sorry about that.

A week ago, I spent a happy evening on the couch with the boyf watching The Blob. For those of you who haven’t heard of this gem, it’s a campy old horror movie from 1958 about a (I kid you not) gelatinous blob that attacks a town. As you can guess, the movie is utterly ridiculous, but I had a fantastic time watching it.

I mean, seriously, it’s a blob. It’s a gelatinous blob. It starts off about the size of my hand, and it eventually grows to be the size of a local movie theater. The origins of the Blob remain largely unclear. You know it came from space, but that’s about it. What also remains unclear is how exactly it consumes its victims.

At the beginning of the movie, it attaches itself to this old man’s hand, and thanks to the power of editing, it starts growing larger and larger. We never see it grow though. It’s like you blink and it’s suddenly larger.

We rarely see it move either. You’ll see it pulse or edge forward, but there’s never really a good time where its motion is captured on video. (Except for this one scene where it seeps under a crack in a door. That was awesome.)

This adds to the hilarity, because all the townsfolk who encounter it have to be on the ground for it to get them. I know it’s a horror trope to trip at the most inconvenient times, but this movie makes it even more ridiculous. At least two women trip on nothing. They’re indoors, for crying out loud. There are no leaves, roots, or sidewalk cracks to mess with their shoes. And when they’re on the ground screaming, they don’t even try to crawl away. They just keep shrieking.

Eventually, the Blob gets big enough to swallow buildings, and that’s when the movie reaches its climax.

However, before I dive into the finale, I should probably spare a thought or two to our completely forgettable cast of characters. The Blob introduces us to Steve and Jane, two “teenagers” who should win awards for looking 20 years older than teenagers. They are purportedly two sweethearts in love, but the movie opens up in an incredibly off-putting fashion. Jane is uncomfortably telling Steve she’s not ready to move so fast (they’re kissing in a car), and Steve awkwardly agreeing to slow down.

And then we cut to a meteor falling and Steve suggesting they go investigate it.

Couldn’t they have come up with a better way to start the story?

What then follows is some of the strangest dialogue I’ve ever heard in an old movie. I’m normally fond of that affected accent you hear in old-timey films, but in The Blob, that accent is coupled with the weirdest non sequiturs I’ve ever heard. It’s like the writers didn’t know how people talk. Or maybe I’m just not used to white man colloquialisms. Who knows?

Steve and Jane are joined by some raucous young boys (they’re men, seriously, they look so old) and some small-town cops to comprise the main cast. Steve’s fellow teenage males all give off this macho vibe, so much so that you can’t tell if they’re angry at him or if they’re best buds. And the cops are either down-with-all-teenagers or I’m-your-best-friend-you-can-trust-me types.

Side note: There’s this pretty hilarious moment where one of the cops looks right at the camera when he’s talking, and it’s a gut-bustingly incongruous action.

Anyway, the Blob ends up being averse to cold temperatures, as Steve and Jane find out when they hide from it in a meat locker. They notice that it retreats from attacking them. This information comes in handy later on when they’re trapped in a diner that the Blob has enveloped. Just when it looks like all hope is lost, they realize they can chase it off of the building by spraying fire extinguishers at it.

An army of local teenage boys who were not there for the entire movie show up to break into the high school, steal a bunch of fire extinguishers, and help free Steve and Jane from the diner.

The Blob shrinks down a bit, and the movie concludes by showing a helicopter traveling to Antarctica where it’s going to drop off the Blob so it can never hurt anyone again.

Which is one way to deal with a piece of jelly from outer space.

The Blob is not the best old movie I’ve ever seen, but it does have its moments. It’s an enjoyable watch, but you will have to remember that it is a campy movie not meant to be taken too seriously.

However, I do think it would be really cool if someone made a modern-day reboot and turned it into a legitimately scary movie. Like if that game Carrion were to be mashed together with The Blob and The Thing, I think we’d have a whole new classic on our hands.

A Miasma of Mediocrity: Mulan Synopsis

For those of you who have stuck with my blog over the interminable months it’s been alive, you know that I am relatively kind when it comes to movies. I mean, I saw Rise of Skywalker, and I was not ashamed to gush over how entertaining it was.

Clearly, I have very low standards.

As a matter of fact, many of my so-called “reviews” are nothing more than gush-a-thons where I haphazardly talk about how much I liked something. It’s like I can’t do a serious review even if I tried. I’m just caught up with enthusiasm and Below Averageness.

However, every once in a while, a movie just incites my vitriol, and what is usually a happy-go-lucky rant turns into a harsh and critiquing diatribe. (For an example of this, in case you’re curious, feel free to check out my Fantastic Beasts: The Crimes of Grindelwald or my Cats review.)

I haven’t been to see a terribly bad movie in a while, in large part because movie theaters are a thing of the past now, what with the pandemic and the temporary closure of all my local movie theaters.

Thankfully, Disney’s live-action Mulan movie is here to save the day!

To be frank, it wasn’t as bad as I thought it would be. My boyfriend saw it first and told me it was terrible, so I was primed for abysmal levels of low-quality movie madness. When it turned out to be very “meh,” that was actually an improvement upon my expectations.

And in order to save you, my beloved Above Average readers, from having to watch the dang thing yourselves, instead of a mere review, I’m going to synopsis the shit out of this movie.

With a few healthy helpings of Below Average commentary on the side.

Are you ready?

Thus Begins My Below Average Synopsis of Mulan (2020)

We get a glimpse of young Mulan as her father (at least I think it’s her father) narrates in the background. She’s in a field whirling a long stick around like a sword. She’s doing a bunch of fancy moves while her father explains how gifted she was in utilizing her “Chi.”

I’m going to pause here to let you know that “Chi” is brought up all the time in this movie, and it basically means mystical-inner-energy-that-makes-you-able-to-do-incredible-feats-like-jump-really-high-and-do-mega-flips-a-la-Crouching-Tiger-Hidden-Dragon-oh-and-it-might-also-let-you-do-magic. It’s like the Force, but even more unexplained.

After seeing Mulan practice using her Chi in that field, we then see the small town where she grew up. It’s a quaint place, brightly colored and rustic. Mulan’s family lives there, including her father, mother, and sister.

While trying to round up some chickens, one of them escapes, and Mulan proceeds to chase it back into its pen.

I don’t know what to tell you, but that chicken must have some pretty strong Chi levels too. It engages in some highly dubious acrobatics, but Mulan is able to keep up with it, showing off her own ability with her Chi as well. During the chase, she breaks a Phoenix statue and pisses off all of her neighbors. Apparently, it’s not proper for little girls to be incredibly agile and gravity-defying.

Late at night, her mom discusses the matter of Mulan’s Chi with her father. The two parents decide they don’t want their neighbors to look upon their daughter as a witch, so they agree she must hide her Chi abilities. And as with any secret conversation, Mulan overhears everything. However, she acquiesces to her father’s wishes, and she spends the next few years tamping down on her gymnastics.

Meanwhile, this dude named Bori Khan wants to bring down the Emperor of China. He’s amassed a sizable force, but his ace in the hole is this “witch” named Xianniang. She is magic times ten. She has incredibly long nails to attack people, she can turn into a falcon, and her sleeves are deadly weapons.

Bori Khan doesn’t seem to treat her too well, but he has made promises that when he takes over China, she will no longer be an outcast for having incredible Chi. It’s now clear that Xianniang possesses great power just like Mulan, and she has suffered ostracism and discrimination because of it.

And it’s at this point that I’m like, “Dude, maybe Bori Khan’s the good guy.”

Anyways, war is upon China, so the Emperor sends his Chancellor to summon all the men in the land to fight. (If you’ve seen the cartoon, you know the line.)

We go back to teenage Mulan, and her upcoming meeting with a matchmaker. She gets dolled up and unhappily goes to see if she’s suitable for marriage along with her mother and sister.

And apparently, it’s a crime to be a good sister. During the meeting, a spider crawls onto the table, and Mulan’s sister is terrified of them. Noticing this, Mulan picks up a nearby teapot and places it over the spider to trap it. The matchmaker gets all pissy and is like, “Did I tell you to move that teapot? No? Then why are you doing it? Stop that.”

Mulan is forced to remove the teapot from the spot and reveal the spider.

Unfortunately, like the chicken before it, this spider has got a talent for gravity-defying jumps. It leaps into the air and causes immediate chaos. Mulan tries to salvage the tea ceremony by jumping onto the table and catching pots, but some of them break, and the matchmaker thinks that’s a valid reason for saying she’s a disgrace, completely forgetting the fact that she was the one to demand the spider be seen.

As soon as this meeting is over, messengers arrive to ask men in Mulan’s town to join the army. Her dad has no sons, so he’s the one who must go to war.

That night, her dad shows her his sword, which has the words for “Loyal,” Brave,” and “True” on them. (This is kind of important later.) He goes to bed, and Mulan decides to go to war in his place.

So, my big gripe here is that not enough weight is placed on this moment. In the animated film, Mulan cutting her hair and donning her father’s armor is one of the most pivotal moments in the story. The music is epic, the lighting is fantastic, and her exit is dramatic.

In this live-action version, she just kind of…leaves.

Anyways, her parents pray to their ancestors to help her out. That Phoenix statue Mulan broke while chasing the chicken is part of her family’s spiritual ancestors.

I guess getting to the damn army encampment is a huge ordeal because Mulan ends up in a desert, with no food and no water. While she lies down in exhaustion, a freakin’ Phoenix flies above her, showing her the way to camp.

I don’t know why that part was necessary to the movie. I understand that the Phoenix is a representation of her family’s ancestors. But if you take this part out, nothing changes in the plot. I mean, the meat of the story takes place during her training.

Mulan’s time training is one of the better parts of the movie. She actually lowers her voice to try and sound like a man, and she always volunteers for late-night watches so she doesn’t have to bathe with the other soldiers. If the movie had spent more time showcasing her becoming friends with her squad, it would have been ten times more enjoyable. Every time that happened, I forgot how confused I was by Chi.

Another thing I approve of is the change in love interest. In the animated film, Shang and Mulan are considered an item, and with him being her commanding officer, it’s actually a prickly subject if you think about it.

In the live-action movie, her fellow soldier Honghui is her love interest, and that’s a much better dynamic. They start out as rivals in the army, trying to best the other, but end up on friendlier terms. When they talk in close quarters though, Honghui reveals that since Mulan hasn’t been bathing at all this entire time, she has gained a noticeable stench. That was funny.

Mulan’s commanding officer in the live-action film, Commander Tung, is played by none other than Ip Man! Yup, Donnie Yen is kicking ass in Star Wars and Mulan. Unfortunately, I think he was underutilized here.

In the movie, Commander Tung notices that Mulan is an incredibly skilled fighter, and he comments as much to her. There’s this one pretty tense-ish moment when Mulan, after looking at the Loyal-Brave-True inscription on her father’s sword, wants to confess to Tung that she’s a woman. However, just as she’s about to, Commander Tung starts talking about how since she’s such a skilled warrior, he wouldn’t mind if they arranged a marriage between Mulan (who is going under the name Hua Jun) and his own daughter.

Gasp.

Sadly, this is where the training part ends, and the whole movies landslides down to its unsatisfying conclusion.

Commander Tung and his army are sent to fight Bori Khan and his forces. The scale of these fights is not really clear. You know how movies like The Lord of the Rings: The Two Towers showcases the battle of Helm’s Deep perfectly, so that you know where your protagonists are at all times and you can understand how the fight is going?

This movie does the opposite of that.

For some reason, Bori Khan’s forces rush Commander Tung’s, and then they run away. Mulan is part of a detachment of horse riders that chases after the group. Every one of those riders is picked off by Bori Khan’s mounted archers except for her, and when she finds that she’s on her own, she does not tactically retreat. She continues forward alone.

That’s when she is confronted by Xianniang, the witch. Xianniang tells Mulan that they are very much alike and should therefore be fighting on the same side. It would have been really nifty if this convo had, I don’t know, been extended beyond this one line, but it’s not. They fight, Mulan gets a bit injured (by which I mean she loses some armor), and then…she has an epiphany.

She decides to embrace being “True,” just as her father’s sword says. She lets down her hair, even though that might not be a sound practice on the middle of a battlefield where flowing hair can a) obstruct vision, b) be grabbed by a close-range opponent, or c) catch on fire thanks to the explosive weapons your allies are using, and goes back to the main battlefield.

Since we’ve been with Mulan this whole time, we haven’t really seen how the fight has been going for the rest of the army. Turns out, it’s been going terribly. Bori Khan’s forces have bombarded Commander Tung’s forces with projectiles from far off, and Xianniang has been pestering them as a weird flock of birds (?).

Using previously unknown powers of teleportation, Mulan gets behind enemy lines (even though she had been in the middle of the battlefield not one scene ago), and she starts firing down on the opposing army with a bow and arrow. She has also placed abandoned helmets from her side on rocks nearby so it looks like there are more people with her.

Bori Khan’s trebuchets start casting projectiles over at Mulan’s position instead of at the rest of the troops, and since she’s situated near handy mountains, the force of those shots creates an avalanche.

The battle ends with most of Bori Khan’s forces being buried alive, and most of Mulan’s comrades surviving.

Afterwards, she goes up to her friends and commanding officers with her hair let loose, clearly exuding the fact that she is female. They tell her to get lost because that’s how the story is supposed to story. If she comes back, they say, they’ll kill her.

On her way back home, Mulan is intercepted by Xianniang, who found her again in the middle of nowhere for no explicable reason. Xianniang plays the sympathy card, and I honestly wish Mulan would have sided with her. I mean, Xianniang is right. Those dudes at the army are basically her oppressors. Why on Earth should she side with them? But the moral of the story is clearly that perseverance wins the day no matter how deeply ingrained gender prejudices are. Xianniang lets slip that Bori Khan survived and is going to capture the Emperor, and upon hearing this, Mulan rushes back to her friends in the army.

After reporting to Commander Tung about Bori Khan’s plans, Mulan submits herself to be killed as long as they believe what she’s saying, and that’s when Honghui steps up (finally) and speaks in her defense. The rest of her army buddies do too, and next thing you know, they are rushing to save the Emperor.

Mulan goes from being the outcast of the group to being the veritable leader. She’s in charge of her own squad rushing forward to save the Emperor. It is a drastic change, and one that does not feel entirely earned.

During this time, Xianniang has undergone a change of heart and wants to help Mulan by turning against Bori Khan. But even though she’s shown to have amazing abilities in battle, Xianniang can do nothing to stop an arrow from striking Mulan except place her body between it and Mulan. Xianniang dies in Mulan’s arms, and we’re left wondering why, if this relationship was so important to have its own dramatic death scene, it was not explored more fully.

I hate to rush through the ending, but the movie finishes up with Mulan saving the Emperor, Bori Khan dying, and the Emperor offering Mulan a top position in the army. Not much really happens beyond that. No resolution with Commander Tung offering his daughter to Mulan. No exploration of how powerful Mulan’s Chi really is. No resolution with her friends in the army. She does get to reunite with her family at the end. So there is that.

The End.

Mulan (2020) was not satisfactory, though I wouldn’t rush to call it the worst movie ever. I had really low expectations for it, which could be why its shortcomings didn’t rankle me so much.

And I watched the whole thing so that you, my favorite Above Average people, don’t have to.

I rate Mulan a below-average-movie-that-disappoints-more-often-than-it-delights.

Madoka Magica Madness

My Dungeons & Dragons group has movie nights on occasion. It started as a way to just hang out during the pandemic. We’d hop onto Discord, pick a bad movie, and just press play at the same time. We’ve gone through Kung Fu Hustle, Mortal Kombat, and Spaceballs.

One day, I don’t recall how, but the subject of anime was brought up, and Puella Magi Madoka Magica was mentioned in the conversation.

Side note: From here on out, whenever I reference this anime, I’m just going to call it Madoka Magica.

I had never heard of it before, and neither had the majority of our party. Only two had seen it, one of them being our usual Dungeon Master, Sidney. He immediately volunteered the series as our next watch on movie night. In its favor was the fact that it was only twelve episodes long, and it was on Netflix.

Honestly, I’m not a big anime person. Often, anime series are huge time investments because the good ones have massive amounts of manga chapters to follow. I have bought a few manga volumes, notably Death Note, Fruits Basket, and Naruto. But I haven’t even made the leap to watching their anime all the way through to their conclusions.

As such, I had no idea what to expect from Madoka Magica.

Let me tell you, while it is not the most disturbing anime out there, it is definitely shocking for the genre it is commenting upon.

The “magical girl” genre is a popular one, and it basically involves a select group of girls who are granted magical powers, transform into their badass selves, and then whup evil’s ass. Sailor Moon and Cardcaptor Sakura are perfect examples of this.

Madoka Magica seeks to dismantle the tropes you commonly see in a magical girl anime. The toll the girls must accept for gaining powers is insane. The monsters they face are deadly, and, as it turns out, their transformations come at a heinous cost.

So what started as a lighthearted, girlish adventure turned into this universe-ending shock-fest. Sidney, who had already seen the series, spent half his time watching our faces on the computer screen so he could see our reactions. And we were totally engrossed. We stayed up well after midnight guzzling each episode with our eyes.

I won’t necessarily recommend Madoka Magica to you, my Above Average Readers, because I’m not sure what you’d think of it. To prove my point, two of our D&D party members just refused to watch the series (Mia and Dalton). One because she had seen it already and been disturbed by the plot twists, and the other because he refuses to watch anime that deconstruct themselves.

I will, however, say that if you want one hell of a hellish time and you enjoy a bite-sized anime every so often, then Madoka Magica should be perfect for you.

5 Disturbing Moments in Kids Movies That RUINED Me

Strange things can creep you out when you’re a kid. But one thing I’ve noticed is that when I saw something that freaked me the eff out as a child, it stuck with me for a while.

As in, to this day, I’m still unsettled at the initial object of “terror.”

My wild imagination coupled with my penchant to lie in bed reminiscing over distrubing images makes for an unpleasant combination.

Anyways, today, I thought I’d go over some scenes/images/characters in kids movies that scared the hell out of me even though I don’t think they were supposed to.

Side note: And my parents thought they needed to keep me from watching R-rated movies. If only they had taken a look at these purported children’s movies.

Be prepared for some distubing pictures up ahead. You’ve been warned (albeit briefly).

The Fireys – Labyrinth

Stuff of nightmares, am I right?

Let’s be honest, the whole of Labyrinth is pretty terrifying. From the stalkerish Goblin King to the tunnel of hands, it is a nightmare fest. But nothing made me squirm in discomfort quite like the Fireys.

These “playful” critters torment Sarah on her journey, and they have this terrifying song-and-dance number where they cavort around like demons from the fires of hell. They even kick their own heads off and play with them like hacky sacks.

I haven’t seen Labyrinth in years. And I’m not planning to. While I am very curious to see how I’d feel about it as an adult, those damn Fireys are keeping me away. I don’t think I’m going to touch this movie with a ten-foot pole.

Artax in the Swamps of Sadness – The NeverEnding Story

He literally died of sadness…and part of my heart did, too.

If people thought Mufasa’s death in The Lion King was traumatic, then they never saw the way Artax died in The NeverEnding Story.

On a quest to save his land, Atreyu and his loyal horse, Artax, have to travel through the Swamps of Sadness. These swamps are incredibly dangerous because it can make you feel so sad, you become so heavy, you sink into the treacherous muck.

Atreyu is protected from the Sadness thanks to the amulet he wears (called the Auryn). But his horse has no such protection.

Artax slowly starts sinking into the mud, and at one point he just can’t move at all.

This moment scarred me because Atreyu is screaming the whole time, trying to get his horse to stop feeling sad. Also, since I had read the book, I knew exactly what Artax was thinking as he sank into the mud forever.

E.T. – E.T. the Extra-Terrestrial

Come on, he looks kind of freaky.

Don’t judge me.

I know E.T. the Extra-Terrestrial is a classic film, but as a kid, E.T.’s design freaked me out.

I’m not alone in this sentiment.

Both my boyfriend and I shared this distaste in our respective youths. It impacted our enjoyment of the movie as a whole.

However, the two of us have largely grown past this, and we can watch the film and appreciate it for what it is.

But whenever I’ve seen the movie on my own, I always wonder who in the world okay-ed E.T.’s appearance in a children’s film. I’ve seen better lovable aliens in sci-fi horror movies.

Rat Bellies – The Secret of NIMH

Ouch.

Overall, I actually very much enjoy The Secret of NIMH movies, but that first one was incredibly dark, and it’s only now that I look back at them that I realize this.

If you haven’t seen the first film, I would highly recommend it to you. There’s just one part that made me absolutely squeamish. When recounting the rats’ time at the National Institute of Mental Health, we’re treated to a montage of flashbacks showcasing these experiments. And boy, they did not hold back. The image of rats getting injected in the belly has been forever imprinted in my memory.

I don’t know why this moment in particular stuck with me. It just did. And later on in the film, when the evil rat Jenner gets sliced in the stomach with a sword, I had flashbacks.

The Elderly – Spirited Away

Yubaba wants my soul.

Look at the detail given to Yubaba’s facial features in Spirited Away, and I think you’ll be able to understand why she scares me.

That’s right. “Scares.”

She still does.

Every indent on her lips denoting where her teeth are located, the brightly jeweled rings on her fingers, the massive wart in the middle of her forehead, her clawed nails, and the menacingly pale eyeshadow she has applied all contribute to making her the most feared elderly woman I’ve ever encountered.

And Spirited Away is by no means lacking in freak-out moments. Chihiro’s parents turning into pigs, the gigantic needy baby, and No-Face’s gluttonous rampage are all disquieting moments.

Yubaba takes the cake when it comes to the scariest of them though.

5 Movies I’ve Had To Drag My Sister To See

My sister is a reluctant moviegoer.

She wasn’t always like this. Going to the theater with my father used to be a weekly thing when we were children. That all changed when we saw Dragon Wars.

If I’m being one hundred percent honest, it was my idea to go see Dragon Wars.

But come on! It looked like an epic fight between dragons in a city, Godzilla-style. I was and am very partial to big monster movies.

However, what we ended up watching was a massively disappointing film with terrible writing and acting that barely scratched the surface of what a monster movie could be. It was corny, cringe-worthy…in short, it was a bad-movie-night movie.

And my sister hated it.

Seriously, I got more enjoyment from watching her disgusted and disbelieving expression than I got from watching the movie itself.

But ever since then, Alya has distrusted my taste in movies. No matter how much I tell her that I’m aware they are bad movies and that I think they’re funny, she thinks I have terrible taste when it comes to film-watching.

This means that I frequently have to drag her to see movies with me. And while it does pain me to have to cajole my own sister to have a good time in a theater with me, it does come with its perks.

I get to witness my sister’s sudden reversal of opinion when I take her to a good movie. This has happened on more than one occasion, and it’s especially enjoyable the more my sister thinks the movie will be bad.

So for today, I thought I’d run you through the top five movies I had to force my sister to watch and that she ended up appreciating.

Let’s do this.

Rise of the Planet of the Apes

To be fair to my sister, she wasn’t entirely against watching Rise of the Planet of the Apes. We both had a fondness for the original Apes film with Charlton Heston, so there was precedent for her enjoying this type of genre.

It was a late night though, and my asking her to come with me was a spur of the moment decision. After a few oh-I-don’t-knows and are-you-sure-this-will-be-goods, the two of us went to see it.

The big crowd in the theater surprised the two of us, but what was even more surprising was how much we enjoyed the movie. It wasn’t just fun, it was good. The two of us shared shocked glances when Caesar first spoke, and we were riveted the entire time.

While my sister remembers this as that one time I convinced her to see a late-night movie she enjoyed, I remember it as a rejuvenation of my love for the Apes movies. I watched every subsequent film more than once in theaters, with the trilogy becoming some of my favorite movies.

District 9

Alya seriously thought that District 9 would be a dumb little sci-fi movie. Don’t blame her though. She had not paid a single ounce of attention to any of the trailers or marketing schemes for the film. So she went into this one blind.

I on the other hand had been watching this movie’s progress for a while, knowing it was the kind of science fiction I could really bite my teeth into.

The movie horrified us, but it also engaged us with its shocking portrayals of alien immigration and the connections it was unsubtly making to real-life comparisons.

Alya specifically remarked to me when we left the theater that she hadn’t expected to feel so much while watching this movie. I got a spring in my step after that comment, even though I myself had nothing to do with making the film.

All I had done was manage to convince my sister to take a break from homework to go watch it with me.

Watchmen

My sister thought I was a complete crazy person the day I saw Watchmen for the first time.

See, I had been a long-time fan of Alan Moore’s phenomenal graphic novel, so of course I’d take an immense interest in the film adaptation.

I was so interested in seeing the movie, I was willing to go see the midnight premiere for it even though the next day I had an exam to take in my AP World History class.

Side note: I had to fight my parents to see this movie. I basically promised them I would get an A.

I remember Alya, studying for a class of her own at night, watching open-mouthed as I left the house at 9 pm to go see the movie at midnight. And when I came back home at 3 in the morning and she had fallen asleep while studying at our dining table, her mouth fell open once more when I woke her up singing the movie’s praises.

Maybe that’s why she didn’t complain as much when I asked if she would see it with me one more time.

Afterwards, she expressed an interest in reading the comic book, and now the two of us can quote it at each other all day long.

Star Trek

Both my sister and I are huge Star Wars fans, but only I ever made the jump to Star Trek. My sister saw one episode of The Original Series (the one with the meatball monster) and thought it was stupid.

So I was asking a lot from her to go see the new Star Trek movie with me. She was groaning the whole time, from my pre-movie bathroom break to buying popcorn to sitting in our seats.

But then that opening sequence commenced, when Kirk’s dad saves everybody aboard the USS Kelvin in a suicide maneuver, and Alya’s eyes were glued to the screen. And when the opening title appeared on the screen with the Star Trek theme blaring in the background, she half-whispered, half-yelled, “Holy shit, that was so good!”

How To Train Your Dragon

If there is one thing my sister loathes more than any other kind of bad movie, it’s a bad kids movie. She is used to Pixar-quality kids movies, always has been, so when she watches some low-bar, DreamWorks Animation shit, with pop culture references up the wazoo, a vein pops in her temple.

So try to imagine her initial fury at my audacity in asking her to watch How To Train Your Dragon with me.

But, as those of you who have seen the movie should know, it’s not your typical DreamWorks fare. It does not strive to make itself relevant with popular trends; it just tells a sweet story about a boy and his dragon.

During the montage of Hiccup trying to train Toothless, Alya leaned over to me and said, “I want a Toothless!” with hints of a squeal in her voice.

And that was the start of never having to beg her to watch a How To Train Your Dragon movie with me again. Though she was less impressed with the sequels, she was invested in the characters enough to always give them a shot.

Ranking My Favorite Star Wars Movies (Skywalker Saga Edition)

These are stressful times, and one of my go-to comforts is rewatching the Star Wars movies. I have a deep and abiding love for the Star Wars universe, so doing a dive into the films is the mental equivalent of relaxing in a hot tub for me.

As such, I thought I would go over and rank my favorite movies.

However, when I first contemplated writing this post, I realized with a rise of horror that there is no way to subjectively rank these movies. (Yes, you heard me right, I said subjectively. I’m a Below Average reviewer, okay? Being objective about my geeky loves is nigh impossible.) I love each and every Star Wars movie, but I love them for very different reasons. My love for, let’s say, Attack of the Clones is far removed from my love for The Empire Strikes Back.

Therefore, I needed to come up with a way to rank my favorite Star Wars movies that wouldn’t make my heart explode with indecision.

And so I made brackets. That’s right. Brackets.

I’m going to bracket the nine films of the Skywalker Saga into the originals, the prequels, and the sequels, and rank them accordingly.

Side note: Just because I’m not talking about Solo or Rogue One does not mean I do not adore them. I frickin’ love those movies.

Let’s do this!

The Prequels

I think if I were to be objective, I could argue that the prequels are the worst of the Star Wars franchise. The acting and the dialogue felt stilted, the plot was terribly contrived, and who can forget Jar Jar Binks.

However, to this day, the prequels never fail to put a smile on my face with how ridiculous they were. No other Star Wars films lend themselves so well to making meme-worthy material. Plus, while the dialogue often sounds godawful, it is incredibly quotable. I might have hated Anakin Skywalker’s sand diatribe/pick-up lines with a passion, but I can remember them word for word. And the music for the prequels was fantastic. Perhaps the best scores of the entire franchise.

So, without further ado…

3. Revenge of the Sith

In last place comes Episode III. All of these rankings were tough choices to make, but I knew from the get-go that this would be my “least favorite” of the prequels. Before the movie came out, I read this novelization by Matthew Stover, and it was superb. If you’ve never read it before, I highly recommend it. It’s actually right up there with my favorite Star Wars novels.

The thing is, the novelization did such a great job telling the story of Revenge of the Sith, the film itself could not compare. I was let down by the movie, especially when it took such serious subject matters and made them seem laughable.

Still, this movie gave me my all-time favorite one-liners, including those brief quotes from Chancellor Palpatine. “Power! Unlimited power!

2. The Phantom Menace

I saw The Phantom Menace when I was really young, so a lot of the “politics” of certain situations went right over my head. I had no idea what was going on between the Trade Federation and Naboo, why people couldn’t stop the invasion, or what the heck was this Senate. As a result, I viewed Episode I as the “boring” Star Wars for the longest time.

However, it gave me podracing (which I thought was really cool) and the most epic lightsaber battle I had ever seen. When “Duel of the Fates” started to play and Darth Maul appeared, I forgave the movie for most of its sins. The only thing that ruins that fight for me is the knowledge that I’d never see/feel its like again.

And while the disparity between how ships and technology look like from the prequels to the originals is gargantuan, I have to admit, I fell for that sleek Nubian royal starship like you wouldn’t believe.

1. Attack of the Clones

The “romance” between Anakin and Padme is one of the cringiest things I’ve ever seen in a movie.

And I love it.

It is so incredibly awkward, unlifelike, and creepy that I love it. When considering this list, I initially thought to put Attack of the Clones at the rear of its bracket. But upon further reflection, I realized that nothing beats the sheer hilarity of Anakin’s stalker behavior and winning over of Senator Amidala.

I think Episode II is one of the most uncomfortable Star Wars movies to watch, which inadvertently makes it my most favored of the prequels.

Though, to be fair, it does have some fun action sequences.

The Sequels

I know there were many people who were disappointed by the sequel trilogy. It did not live up to the expectations of prequel lovers or original lovers. However, I found myself thoroughly enjoying most aspects of the sequel films.

For me, at the end of the day, my love of Star Wars is rooted in my love of the universe. Anything that gives me more time in the universe already has a leg up on my affections.

Besides, I can’t hate on anything that gave me Babu Frik. I couldn’t call myself a fan at that point.

3. The Last Jedi

The major thing that bothers me about The Last Jedi is the structure of the movie. Call me a basic bitch, but I like a simple three-act structure. Beginning sets up the characters and the plot, the middle is full of rising tension, there’s a climax, and then a resounding ending.

While deviations from this structure can be exciting, The Last Jedi did not do it for me. Is the climax when Rey fights with Kylo Ren against the Praetorian guard? Or is it when Rose saves Finn’s life by crashing her ski speeder into his? Or is it when Kylo Ren confronts ghostly Luke? The story drags a tad for me, and Canto Bight felt unnecessary.

Plus, the Admiral Holdo/Poe Dameron subplot irritated me. It was one of those simple moments where just reassuring people under her command with confirmation that she has a plan would have erased that whole conflict.

That said, I love Porgs. Those eyes ripped into my heart. And those strange moments between Kylo Ren and Rey felt charged as heck. I held my breath in theaters every time they talked through that connection because I was waiting for some other shoe to drop. And that lightsaber fight between them was kick-ass.

2. The Force Awakens

I was so pumped to see this movie. It marked the first time I could camp outside of a movie theater to see a Star Wars film. And while it did not meet every single one of my expectations, it did satisfy that need.

Its biggest flaw is how closely it adheres to the plot points set out by the original Star Wars. I was not so engrossed with giddiness while watching that I couldn’t notice that.

I mostly enjoy The Force Awakens for the little things. The fact that the previews and movie poster trick you into thinking Finn will be the “Jedi character,” but it ends up being Rey. The cool effect of Rey making her weird portion square turn into a piece of bread. The way that Han Solo says, “That’s not how the Force works!”

The Force Awakens gave me characters I knew I could fall in love with if I just spent more time with them.

1. The Rise of Skywalker

Feel free to call me crazy. Or stupid. Bear in mind that I’ve called my blog The Below Average Blog. I know what I’m like.

Nonetheless, The Rise of Skywalker is my favorite of the sequel trilogy.

Does it have its flaws?

Hell yes. Gaping flaws. It comes across as a rushed mess of a movie that reverses decisions made while making The Last Jedi while hastily covering up any discrepancies that caused haphazardly.

But I still love it.

This movie doubled down on lightsaber fights, introduced Babu Frik into my life, made C-3PO my all-time favorite Star Wars character, and ended with a nostalgic and resounding space-battle victory.

But perhaps the one thing it gave me that I had wanted since The Force Awakens was time between Poe, Finn, and Rey. If The Rise of Skywalker hadn’t delivered on that front, I might not have had as many positive feelings about it as I do. But seeing the three leads going on an adventure together was my bottom-line, I-demand-this desire for the sequels.

The Originals

Damn. This was tough. Tougher than tough. I rolled between the three original Star Wars films with more anxiety than an arachnophobic person walking through a spider exhibit.

But after much time and hair-pulling indecision, I finally ranked them.

It’s tough to decide which of three perfect films you like more.

3. Return of the Jedi

I love Return of the Jedi. It was the best way to end the original trilogy. Luke finally confronted his father, we got to meet the cuddly Ewoks, and Darth Vader saving the day made for a memorable conclusion.

However, this ranks at the bottom of my originals bracket (oof, it hurts to type that), simply because it feels a tad weird to have a second Death Star crop up like a reused tactic from the Empire.

But seriously, I’m not even that mad about it.

I just needed something to justify the ranking.

2. The Empire Strikes Back

The “darkest” Star Wars film was my number one movie for the longest time. I would watch it on repeat for hours just to see the big twist over and over again.

Episode V gave fans so much to love, from Yoda to AT-ATs to Lando Calrissian to the unforgettable revelation that Luke’s dad is Vader. It’s honestly probably the best of the original trilogy given how much it gave to us and how bold it was at the same time.

However, I’m going to place it in second simply because that cliffhanger ending is a killer.

1. A New Hope

I have a special place in my heart for beginnings. Origin stories are the best. This is the one that started them all. It created the universe without getting bogged down in exposition. It simply showed us a story. And in so doing, gave us one of the most memorable sci-fi franchises of all time.

George Lucas really followed the hero’s journey archetypes to a tee, but there ‘s a reason those archetypes became archetypes. For the most part, they work.

I will never forget what it was like to watch this movie for the first time. My Tia Kaki (my aunt) gathered my sister and me to watch it together when we were sleeping over at her house. She would whisper the lines to us right after they were spoken. (Like whenever ghost Obi-Wan would say, “Use the Force, Luke!”) The three of us together got swept up into that galaxy far, far away, and I don’t think I’ve ever fully come back.

No Eyes Will Stay Dry: A Silent Voice Review

I’m a mild to moderate manga reader and anime watcher. Like, I’ve read all of Death Note, but I’ve never read Bleach. I’ve watched a chunk of Naruto, but I haven’t even scratched the surface of Attack on Titan.

That said, I have friends who are avid manga and anime consumers. They are the ones who reproach me for never having seen Fullmetal Alchemist: Brotherhood or for reading an issue of Shonen Jump. They also advise me on absolutely everything I should be watching/reading.

Side note: Demon Slayer is apparently really, really good.

Of all my friends who watch anime, my good buddy Bubba is probably the best. (Hey, shaka brah!)

Since this whole pandemic started, we’ve been watching movies with each other using Discord or Xbox Live. From Blade Runner to Snow White and the Seven Dwarfs, we’re chewing through films.

One of the movies we settled to watch was A Silent Voice, an anime film made in 2016 that hits you right in the feels. As of this writing, it is on Netflix.

It’s honestly a very touching story. Using blunt symbolism and dialogue left unspoken, A Silent Voice dives into tough subjects like bullying and depression. I approached this movie with absolutely no expectations, and by the time the credits rolled, I had to wipe my eyes and sniff snot back up my nostrils.

Needless to say, I thought the film was good.

The plot revolves around a boy named Shoya, who was a merciless bully to a fellow student named Shoko. Shoko is deaf, and it is this that forms the basis for her getting bullied. Egged on by his “friends” and classmates, Shoya is relentless in being mean to this girl.

However, after leaving middle school and entering high school, things have changed. Shoya elects to make up for what he’s done to Shoko, and spends the rest of the film desperately trying to make amends.

I seriously don’t want to spoil the ending, so I won’t detail how this situation is resolved, but it is a damn roller coaster of emotions.

The genre of the film is clearly slice-of-life, focusing on Shoya and Shoko’s teenage and childhood years. In the grand scheme of things, nothing dramatic or remarkable happens, but the emotional revelations the story places in your lap are enough to keep you engrossed in what’s going on.

A Silent Voice is based on a manga, so, as with anything that gets adapted into a film, there are parts that feel unexplained or rushed. While some might take this as a con of the movie, I feel like it contributes to the concept of peeking at the flashes of Shoya’s life.

That leads to one of the major draws of the movie. The manner in which the characters are examined perfectly encapsulates the overall message of the story. You don’t always know what is going on with a person below the surface. The film successfully conveys this in the way it gets you to (eventually) sympathize with a bully. Plus, there is a near-end-of-the-movie twist that emphasizes that point even further, showing that just because a person looks happy doesn’t mean they’re not struggling.

While it can get heavy-handed, the symbolism in the film is one of its strengths. At one point, Shoya feels like he can’t interact with other people without hurting himself or them. He effectively cuts himself off from socializing with classmates. The film demonstrates this by having every person who isn’t Shoya’s family bear a giant X on their faces. Shoya never meets their eyes, and the movie ensures that viewers can’t as well. This feature of the film is one that only an anime could successfully pull off.

Needless to say, the story covers some triggering topics, with suicide being referred to several times. I think it is handled well, especially with the notion that no life is worthless being incredibly stressed by the end of the film. Anyone can come back from the edge, and while forgiveness does not come easily, it can be found in the unlikeliest of places. Though I did cry, the movie’s end left me with a positive feeling.

Bubba and I like to make jokes throughout our movie-watching, but A Silent Voice managed to temper them. It’s a sobering and poignant story.

I rate it a silent-and-resounding-success-that-should-be-seen-at-least-once.

I Was a Soundtrack Kid: How Music Defined My Movies

Growing up, I always felt a step behind other kids when it came to being “hip” and “cool.” When portable CD players were coming out, I had nothing. When MP3 players came out, I had just gotten a CD player. When iPods came out, I was showing off my brand-new MP3 player.

You get the idea.

To make the stark contrast between me and other kids even starker, I did not hold any of the latest pop songs within my music devices. Instead, I had a love for movie soundtracks.

I swear, I listened to soundtracks all the time as a kid.

And while my taste in musical genres has expanded, to this day, I adore a good movie score.

Side note: That sick rhyme was totally unintentional.

My all-time favorite soundtrack composers were/are John Williams, Howard Shore, and Danny Elfman.

John Williams is one of the most prolific movie soundtrack composers ever, responsible for classic movie themes that everyone recognizes. He’s done Star Wars, Superman, Harry Potter, and Jaws. If you think about it, he’s probably composed the background music to a lot of your movie fantasies. You know, when you picture yourself as a Jedi or a student at Hogwarts? That’s John Williams’ song playing as your imagination runs wild.

Howard Shore did the soundtrack for the Lord of the Rings trilogy. I may not have a bead on his other work, but by god, I know his talent from those three films alone. Elves, Rohan, Gondor, hobbits, and the Mines of Moria all had their own unique themes thanks to Shore.

Danny Elfman is most often associated with director Tim Burton since he composed a lot of the soundtracks to some of Burton’s most iconic films. He did Batman, Edward Scissorhands, and The Nightmare before Christmas. Elfman’s devious melodies often accompanied me on long car drives.

I made it a mission in life to try and collect albums of their work so that my everyday life could feel ten times more awesome as I hummed along to their tunes.

When I first started listening to soundtracks, I enjoyed them for the reminders they gave me of my favorite parts in movies. I’d listen to “Love Pledge and the Arena” from Attack of the Clones over and over again because I liked it when all the clone troopers came to rescue the Jedi on Geonosis.

I got crazy good at recognizing the times a track would play in a film. I would astonish and bemuse my parents by reenacting scenes from movies while playing the movie’s soundtrack on our communal CD player.

But then my love for these tracks branched away from just fond memories of the time they appeared in the film. I grew to enjoy the emotional beats I could find in the melodies, separate from the moments they accompanied in the movie. I had a love of playing with toys and creating epics sagas with my action figures back then, so I started playing movie soundtracks in the background while I played with them, applying the songs to my own stories.

Side note: You would not believe the depth of my toy Diplodocus’ sense of betrayal when Spider-Man refused to save his village. I had “Duel of the Fates” playing when this happened.

These days, video game soundtracks have joined my collection of music source material. I’m not as fond of television themes in general, but Game of Thrones is a huge exception to that.

I still use soundtracks to accompany my “stories,” but not with my dramatic toy playtime. Whenever I’m writing, whether for work or for my own fiction, soundtracks are one of the major sources of inspiration I use when crafting emotional moments.

I also have a more discerning ear when it comes to finding tracks I like when watching a film. It’s far rarer for me to find something I prefer these days, but I make do.

New additions to my roster of favorite composers include Ramin Djawadi, Michael Giacchino, and Mick Gordon.

Djawadi did the music for Game of Thrones so you have him to thank for getting that opening credits theme song stuck in your head. He’s also done the soundtrack for Westworld, which has its own collection of fantastic melodies.

Giacchino is the man behind a shit-ton of Pixar film soundtracks. The Incredibles? That was him. Up? That was also him. Giacchino crafted some heckin’ awesome tracks for the Speed Racer movie too, and as anyone who knows me should know by now, that’s one of my favorite movies.

Mick Gordon is the understated genius behind the Doom soundtrack. Though there is currently a controversy going on regarding his music for Doom Eternal, that does not change the fact that I adore his work, and I think Bethesda and id Software did him dirty.

Side note: I am totally not biased.

Soundtracks capture emotion in a way that few songs can. See, soundtracks are meant to accompany a story; that’s what they were created for. So they can follow along with a plot’s ups and downs. They’re perhaps the most transporting type of music you can listen to.

For me, they are a mild form of escapism for my day-to-day life, especially during stressful times.

And given the state the world is in, I think we could all benefit from taking a breath and listening to a good soundtrack.

My Top 5 Favorite RELAXING Horror Movies

I know what you’re thinking. Horror? Relaxing? Surely you kid.

Nope!

Though horror films are meant to thrill, scare, and discomfit us, there are a handful of movies I enjoy watching in my downtime.

As everyone who reads this should know by now, I’m a big rewatcher, and familiarity breeds comfort.

Each of these five films are classic horror movies, but as I’ve seen each of them more than once, they have become as relaxing as a day spa to me.

Side note: I’ve never been to a day spa.

Let’s dive into them then! Who knows? They could end up becoming your de-stressing, go-to movies too.

The Shining

Based on Stephen King’s illustrious novel, the film covers a family isolated in a hotel that is closed for the winter months, and they must not only deal with the physical isolation permeating the empty halls, but with an evil that creeps among them too.

I can’t even remember the first time I saw The Shining. I feel like it’s been a part of my life for years now. Directed by Stanley Kubrick, it’s a masterpiece of long tracking shots, uncomfortable silences, and sublime terror.

I love showing this movie to friends when I have the opportunity, and when I’m by myself, I really enjoy watching it on cold days with a warm cup of coffee in my hands.

The Thing

An Antarctic research station happens upon a frozen alien life-form with the ability to mimic organic matter down to the cellular level, causing mayhem and paranoia among the men trapped with it, as they no longer know who they can trust.

This movie only recently made it onto my list. I first saw it years ago, but because it had been so long since I had seen it, the details of the plot were hazy. However, while visiting my boyfriend in LA (way before this whole social distancing thing happened), we found a Blu-Ray of it at a Barnes & Noble. And you can bet I bought that baby right on the spot.

Since I haven’t seen The Thing as often as the other movies on this list, it still has the power to creep me out. If I have the house to myself, I’ll pop it on for an afternoon of grotesque and horrific fun.

The Exorcist

When her daughter becomes seemingly possessed by a demonic spirit and all other possibilities are exhausted, one mother finally turns to a priest for help in saving her child.

My own mother shudders at the mere mention of The Exorcist. She actually crosses herself when she sees the movie’s cover. (Which, if I’m being honest, is actually a pretty creepy cover. Shows Regan when she’s been fully possessed, and there’s an icky green lighting over everything.) However, my mother’s reaction to the movie is in part what spurred my desire to see it.

I will willingly watch The Exorcist at night, inviting the scares to bring it on. But, I have to admit, I’m likely to fall asleep to it at times.

Rosemary’s Baby

A young expecting mother must steel her nerves and try to find answers for herself as both her husband and her creepy neighbors take an unhealthy interest in her baby, an interest which hides an even deeper conspiracy.

I saw this movie at my aunt’s house a while back, when she had invited my sister and myself to go swimming in her pool. After the pool antics were done, I decided to watch a movie, and Rosemary’s Baby just so happened to be on. I was only half paying attention to it though, so when I saw it again later with my boyfriend as movie-night sort of thing, it was a tremendously hilarious experience.

Rosemary’s Baby unintentionally tickles my funny bone. It contains some outdated and truly inappropriate lines of dialogue that are side-splitting in how bad they are. But it does a good job at raising the tension. It’s the perfect movie to watch while eating from a big bag of chips, guffawing the whole time.

Alien

The crew of a space hauler encounters a deadly alien that slowly picks them off one by one.

It’s a simple premise, but it’s a fantastic movie. I already wrote a whole post about why I love Alien. I think the Alien/Xenomorph is the best movie monster to ever grace our screens. It fascinates me as well as terrifies me. If you haven’t seen it, you have a real treat in store for you!

I can watch this movie whenever, wherever. It is one of my go-to movies period.

Top 5 Favorite TV Shows

I’m not a television person. Growing up, we didn’t have cable in my house, so my sister and I would only watch shows and stuff on weekends when we would go and visit my tias (aunts) and tata (grandpa).

As such, I’ve seen bits and pieces of a ton of shows, but I haven’t actually committed to finishing most of them. Practically none of them at all. Even to this day, I’ll watch a bit of a show on Netflix, and then just lose interest.

That said, there are a few television shows that shot their way into my heart despite my initial inclination to ditch the medium.

So let’s get into them, shall we?

5) Rick and Morty

Yeah, I like Rick and Morty. As does the rest of the world. I jumped on this hype train when I was visiting a friend of mine, Irma. She’s one of my friends from elementary/middle/high school. Her boyfriend was showing a bunch of us his favorite episodes, and I was just so taken with the style of humor and the zany premise of an interdimensional scientist with severe alcoholism taking his grandson on adventures. The show captured me, and I consume every episode whenever the latest season comes out.

4) Avatar: The Last Airbender

I promise, this list won’t be just cartoons. But yeah, the majority of them will be. Don’t dismiss Avatar: The Last Airbender just because it is an animated kids show though. Quality storytelling leaped from episode to episode, beyond the typical formula you normally see in a cartoon. The characters grow and develop (Zuko’s character arc is one of the best in television history), and the world they inhabit is marvelous. Inspiration was clearly taken from real cultures, but they were combined with a universe in which bending elements is possible and fantastical creatures exist.

3) Stranger Things

Granted, this show isn’t complete yet, so the fourth season could come along and ruin the whole series. But even with only the three seasons Stranger Things has given me, I’m confident in calling it one of my favorite shows. I saw the first episode at my sister’s house before I had to travel 500 miles and return home. That very day, I literally exited the car, got inside my living room, turned on the TV, and resumed watching. I was that hooked. I’m a huge Stephen King fan, so the mystery and horror of Stranger Things appealed to every cell in my body. It was simply “my type” of show, and I’d never really felt that with any other show prior to that. (By the way, this is the part where you guys recommend shows to me that are similar that will catch my interest!)

2) Game of Thrones

Even with the way the series ended, I still say Game of Thrones is my second favorite show of all time. I think people have too easily forgotten the years of quality television the show provided to its viewers before the series finale came out. No matter how it ended, those top-notch moments we all know and love still exist. Ned Stark’s beheading, Daenerys emerging from the fire, the Red Wedding, Arya’s transformation, Theon’s character development, the revelation of Hodor’s name. Game of Thrones still gave us all of that. Just because the last season left me feeling less than satisfied doesn’t take away the fond memories I have for the series. Plus, I’ve always felt that television shows, more than movies, are a case of it’s-the-journey-not-the-destination.

1) SpongeBob SquarePants (Seasons 1-3)

Laugh all you want, but SpongeBob SquarePants is my all-time, favorite comfort show. I caught every episode I could whenever I visited my tias’ house, bought the DVDs for my house, and can quote the best lines to this day. I even know most episode names. Of course, this mostly applies to those first three seasons. Those are the heyday of SpongeBob’s time on television, and I’ll stand by that. Some might call the series childish and stupid, but by golly, the humor in SpongeBob always felt to me like FUN. If you ever wanted to win me over, you either have to know some quotes from The Hitchhiker’s Guide to the Galaxy or SpongeBob SquarePants. Nothing more and nothing less.